What you're about to see isn't a highlight reel.

Each gallery is a complete wedding: the morning quiet, the ceremony, the party, the moment the room finally lets go - the full story, from the beginning to whenever the venue called time.

Most of it is pure reportage. I watch, I wait, and I find the moments that couldn't have been staged because they weren't. The look across the room. The laugh that broke through at exactly the wrong moment. The naughty table, still going an hour after the speeches.

The portraits are different. These I direct, gently and editorially. Informed by two decades between London and New York, by Bailey and Lindbergh, by the conviction that a portrait should look like something rather than someone standing somewhere being photographed. Cinematic without being contrived. Fashion-forward without being fashion. The kind of image that belongs on a wall rather than in a folder nobody opens.

The group photographs exist too. Quickly done, two versions, the safe one and the one where something real happens. Granny always frames the second one.

This is Editorial Reportage: the complete story of your day, told honestly, with portraits that look like they belong in a magazine that hasn't been published yet.

This is what your wedding could look like.